Easter greetings from Spellbound HQ! I hope yours was lovely. For a last moment of celebratory fun, here’s Easter Parade star Ann Miller wearing a truly unique variation of the Easter bonnet. Inside her floral, hinged top hat sits a real, living rabbit. Miller and rabbit look nonplussed, and the actress does her best to make the look chic.
By msbethg in 1910s, Behind the Door, Contests, Era, Genres, Movies, Revenge, Series, Silent Film, Themes Tags: 1919, Academy Award, American, Behind the Door, Blu-ray, classic, classic film, classic films, contest, dual format, dvd, film, films, Flicker Alley, German, giveaway, Gosfilmofond, Gosfilmofond of Russia, Hobart Bosworth, Irvin V. Willat, Jane Novak, Jay Weissburg, Kevin Brownlow, Library of Congress, LOC, movie.movies, Oscar Krug, outtakes, Patrick Stanbury, restoration, restored, revenge, Robert Byrne, Russia, Russian, San Francisco Silent Film Festival, SF Silent Film, SF Silent Film Fest, SF Silent Film Festival, ship, silent, Silent Film, silent films, silents, Stephen Horne, submarine, Thomas H. Ince, U-boat, vengeance, Wallace Beery, World War I, WWI
As promised, here are the details on the Flicker Alley contest this blog is participating in. You’re getting the chance to win a brand new dual-format edition Blu-ray and DVD. Flicker Alley and a group of amazing sites for fans of silent and classic film are proud to bring you this giveaway for BEHIND THE DOOR (1919).
I missed the movie when it screened at the San Francisco Silent Film Festival in 2016, so here’s more on the film and set from the Flicker Alley press release:
Legendary producer Thomas H. Ince and director Irvin V. Willat made this—͞the most outspoken of all the vengeance films according to film historian Kevin Brownlow—during the period of World War I-inspired American patriotism.
Hobart Bosworth stars as Oscar Krug, a working-class American, who is persecuted for his German ancestry after war is declared. Driven by patriotism, Krug enlists and goes to sea. However, tragedy strikes when his wife (Jane Novak) sneaks aboard his ship and is captured following a German U-boat attack. Krug’s single-minded quest for vengeance against the sadistic German submarine commander (played with villainous fervor by Wallace Beery) leads to the film’s shocking and brutal climax.
This newly restored edition represents the most complete version of the film available since 1919, thanks to the collaboration of the San Francisco Silent Film Festival, the Library of Congress, and Gosfilmofond of Russia.
Sourced from the only two known remaining prints and referencing a copy of Willat’s original continuity script, this edition recreates the original color tinting scheme and features a new score composed and performed by Stephen Horne. Flicker Alley is honored to present BEHIND THE DOOR on Blu-ray and DVD for the first time ever.
Bonus Materials Include:
- Original Russian version of BEHIND THE DOOR: The re-edited and re-titled version of the film that was distributed in Russia, with musical accompaniment by Stephen Horne.
- Original Production Outtakes: Featuring music composed and performed by Stephen Horne.
- RESTORING IRVIN WILLAT’S BEHIND THE DOOR: An inside look at the restoration process with the restoration team.
- KEVIN BROWNLOW, REMEMBERING IRVIN WILLAT: Directed by Patrick Stanbury, an in-depth interview with renowned historian and honorary Academy Award® winner Kevin Brownlow on the career of director Irvin Willat.
- Slideshow Gallery: Original lobby cards, production stills, and promotional material.
- 12-page Booklet: Featuring rare photographs and essays by film historian Jay Weissburg, film restorer Robert Byrne, and composer Stephen Horne.
The set’s official release date is April 4, 2017. Readers of this blog who pre-order now using this link receive a special sale price of $29.95 for a limited time!
Here’s the film’s trailer:
Giveaway Hosted By: Flicker Alley
- Silent Era
- Once Upon a Screen
- Ferdy on Films
- Caren’s Classic Cinema
- Toronto Film Society
- Spellbound By Movies
- A Classic Movie Blog
- Second Sight Cinema
- Sister Celluloid
- Cinematic Catharsis
- Classic Movie Man
- Old Hollywood Films
- Thrilling Days of Yesteryear
- True Classics
To enter, comment on this blog what is your favorite revenge movie or cinematic scene of revenge, and then submit your contact information to Flicker Alley using the form below.
By msbethg in Film Festivals, Genres, San Francisco Silent Film Festival, Silent Film Tags: 1906, 1913, 1914, 1920s, 1924, 1924.Berklee Silent Film Orchestra, 1927, 35 mm, 35mm, Academy Awards, accompanist, accompanists, All Quiet on the Western Front, Amazing Tales from the Archives, American, Archives, Arnold Ridley, Arthur Askey, Barefoot Wine and Bubbly, Barry O'Neil, Bartavelle, Berlin, BFI, British, British Board of Film Censors, British Film Institute, Bryony Dixon, Buddhist, cabaret, Castro, Castro District, Castro Theatre, Cave of the Spider Women, centennial, certificate, chanteuse, Chinese, cine-fiction, Clara Gustavsson, comedy, Craig Ventresco Trio, critic, Der letzte Mann, Desmet Collection, disaster, district, Donald Sosin, Dracula, drama, earthquake, Emil Jannings, epic, Ethel Clayton, EYE Filmmuseum, F.W. Murnau, Figures de Circe, film, film festival, film festivals, film fragments, films, fire, fragments, Frank Bockius, Frankenstein, Géza von Bolváry, H, H certificate, Hearst Castle, Holmes, horror, House of Wax, Jennifer Miko, Julia Morgan, Kit Kat Club, Lewis Milestone, Lobster Films, Lubin Manufacturing Company, magic-spirit, magic-spirit film, Maurice Tourneur, McRoskey Mattress Company‘, mega-spectacle, Meredith Axelrod., Milestone, monk, Movette Film Transfer, Murnau, National Library of Norway, Naughty Boudoir Photo Booth, nitrate, opening night, Pan si dong), Paris, party, Paul McGann, Paul Rotha, Poesia Osteria Italiana, print, rare, RMS Lusitania, Robert Byrne, Ruan Lingyu, San Francisco, San Francisco Silent Film, San Francisco Silent Film Festival, Serge Bromberg, SF, SF Silent Film, SF Silent Film Fest, SF Silent Film Festival, Sherlock, Sherlock Holmes, short, Siegmund Lubin, Sierra Nevada, Silent Film, silent films, Spider Queen, Stephen Horne, Suzanne Drexhage, Technicolor, Technicolor Corporation, The Ghost Train, The Last Laugh, theater, theatre, W.R. Hearst, war, war film, war films, When the Earth Trembled, William Gillette, world war, World War I, WWI
The San Francisco Silent Film Festival is almost here! Its first film fills the Castro Theatre’s screen on Thursday night. We’ll rewind our scene to before its audience sits, before they pile into the picture palace, before they stand in a line snaking down Castro and stretching around the corner down 17th, and stop where they chat with anticipation about the experience that awaits them with their friends. Let’s take a look at the films selected to celebrate the festival’s twentieth anniversary.
It’s incorrect to say the festival eases into its first screening with only one feature. A centerpiece film always kicks off the event in grand style. This year it’s the silent version of war film All Quiet On The Western Front (1930), directed by Lewis Milestone. There were actually two versions of the film made simultaneously, a sound version for English-speaking audiences and an “International Sound Version,” essentially a silent with a later added score and intertitles, written for foreign language markets. While the talkie version was nominated for four Academy Awards and won two, festival Artistic Director Anita Monga says, “Many people consider it to be superior to the sound version.” The epic devastatingly details what happens to a group of young German boys recruited to the trenches of World War I. The Mont Alto Motion Picture Orchestra accompany the film.
An off-site opening night party follows the movie. The McRoskey Mattress Company‘s top-floor loft turns into the Kit Kat Club, a 1920s Berlin cabaret hosted by Swedish chanteuse Clara Gustavsson. Also performing are the Craig Ventresco Trio, featuring Meredith Axelrod. Fine food and drink are part of the festivities. Your party ticket gets you nibbles from Poesia Osteria Italiana, wine from Barefoot Wine and Bubbly, beer from Sierra Nevada, and a special cocktail—the Voluptuous Panic—created by Bartavelle‘s Suzanne Drexhage. Vintage attire and dancing are encouraged! Something called the Naughty Boudoir Photo Booth makes a first appearance. Whether you enter the booth before or after imbibing is up to you!
If you attend the party, keep in mind that Day 2 of the fest begins bright and early at 10 AM with Amazing Tales from the Archives! If you miss this educational session, your hardcore silent film fan friends will brag about all the interesting facts they learned and rare films they saw. The ever entertaining Serge Bromberg, of Lobster Films, recounts finding Maurice Tourneur’s 1914 short Figures de Cire (House of Wax). Bryony Dixon brings a treasure trove of footage about the RMS Lusitania to mark the centennial of its sinking, and crowd favorite actor Paul McGann adds narration to her films. Festival President Robert Byrne describes the meticulous process of reconstructing and restoring William Gillette’s Sherlock Holmes. In recognition of another centennial, this time Technicolor‘s, Movette Film Transfer‘s Jennifer Miko screens a home movie shot at Hearst Castle and starring its architect Julia Morgan and W.R. Hearst. Donald Sosin accompanies this program.
I’m excited this year’s Chinese selection deviates from past offerings. While the suffering women dramas previously screened, often starring Ruan Lingyu, were excellent, Cave of the Spider Women or Pan si dong (1927) offers something new to the program. It is a magic-spirit film, a genre popular in 1920s Shanghai, but quite rare to screen today due to so much of early Chinese film being lost. A nitrate 35mm print of the movie was discovered in the National Library of Norway‘s archives. This is not an unusual occurrence. Staffing and funding limitations mean that films listed as lost might lay in other archives undocumented and awaiting discovery and thus restoration before they deteriorate too badly to be saved. In the film. a monk and his followers—a monkey, pig, and shark spirit–search for Buddhist texts while facing dangers like the seductive Spider Queen and her handmaidens. Donald Sosin and Frank Bockius accompany the film.
When the Earth Trembled (1913) fills the local interest slot. If you’re guessing by the title that it’s about the 1906 San Francisco earthquake, then you are correct! The movie may be the first fictional one made about the disaster, and it incorporates real newsreel footage shot in the earthquake’s aftermath. That’s of special note since the Lubin Manufacturing Company later lost the majority of its newsreel footage in a vault fire, so contained within this disaster epic is a chance to see true life scenes that otherwise would have been destroyed. Director Barry O’Neil‘s insistence on realistic recreations adds to the sense of danger. His leading lady Ethel Clayton almost died when a chandelier fell on her during an earthquake scene. Due to his attention to detail and film mogul Siegmund Lubin devoting four months to making the movie, when normally his studio cranked out two pictures a week, they produced a mega-spectacle that’s sure to thrill today. Multi-instrumentalist Stephen Horne accompanies the film.
Film critic Paul Rotha described The Last Laugh (1924), or Der letzte Mann, as “cine-fiction in its purest form.” Director F.W. Murnau‘s technique was revolutionary. He created a drama focused on an ordinary man’s fall using few intertitles, a fluid camera, and the best of Emil Jannings‘ acting ability. Jannings’ character, a hotel doorman, takes pride in the fine uniform his job provides him. The uniform brings him respect and gives him greater status in his workingclass neighborhood. When his job and uniform are taken away from him, his identity and position are the greater losses compared to the income. The perilousness of work instability and its impact on self-worth and class and social status can resonate for today’s audiences experienced in recession. Berklee Silent Film Orchestra, in its inaugural appearance accompanies the film.
The Ghost Train (1927) is the first film adaptation of the popular stage play by Arnold Ridley. It blends horror and comedy elements in depicting what happens when strangers are stranded at a supposedly haunted train station. I’ve seen the 1941 version starring Arthur Askey, which emphasized comedy over the supernatural, and I’m looking forward to seeing how Hungarian director Géza von Bolváry was freer to play up the story’s spookier and darker aspects. After American horror hits Dracula and Frankenstein upset some vocal members of the public, the British Board of Film Censors created the H(orror) certificate as an advisement in 1932, but in reality that resulted in children under 16 being banned from cinemas showing films labeled such. British filmmakers avoided getting the certificate by avoiding the horror genre. Online clips from the silent version show clever uses of animation and superimposition. Stephen Horne and Frank Bockius accompany the film, and Paul McGann provides narration.
This concludes Part 1 of my San Francisco Silent Film Festival preview. Part 2 follows tomorrow!
By msbethg in Blogathons, Character Actors, Classic Hollywood, Elsa Lanchester Tags: American, Blogathons, book, Bride of Frankenstein, British, cabaret, character, character actors, character actresses, cinema, classic, classic film, Classic Hollywood, Elsa Lanchester, film, films, golden age, Hollywood, horror, memoir, movie, movies, Once Upon a Screen, OP, out-of-print, Outspoken & Freckled, parts, Paula’s Cinema Club, reading, research, roles, scene stealers, scene stealing, supporting, theater, theatre, What A Character!
This month I’m participating in the What A Character! Blogathon. Organized by Paula of Paula’s Cinema Club, Kellee of Outspoken & Freckled, and Aurora of Once Upon a Screen, the blogathon celebrates those character actors and actresses whose impact on classic film warrants as much attention and discussion as any star’s. My subject is Elsa Lanchester, best remembered today as the Bride of Frankenstein, despite a career that spanned over fifty years in film, cabaret, theatre, and television.
I ordered her out-of-print memoir, Elsa Lanchester Herself, to prepare:
I managed to score online a first edition in near fine condition with a dust jacket in similar condition and protected by a Brodart cover for a reasonable price. That was hard to do. There were a lot of ex-library and beat up copies flooding the online marketplace. That helps prove that at one time there was greater general interest in Elsa Lanchester.
I love the art deco design which extends to the decorations bookending each chapter number:
While they appear to be peacock feathers, they manager to evoke the angle of the Bride’s very distinctive hairstyle. That must have been intentional!
And here is a sneak peak of Lanchester and her many characters:
By bethanngallagher in Available on DVD, Dance, Fred Astaire, Holiday Movies, Tap Tags: "Fred Astaire", 1942, 4th of July, American, Bing Crosby, celebrations, clips, Dance, dance movies, Fourth of July, Great American Songbook, holiday, Holiday Inn, holidays, Independence Day, jukebox, jukebox musicals, Mark Sandrich, movie, movie musicals, movies, musicals, Say It With Fireworks, song and dance, Tap, tap dance, tapping, United States, United States of America, US, USA
Somehow it’s a little too dry and a little too chilly for fireworks in the Bay Area, but I’m going to wish you a happy Fourth of July and say it with fireworks anyway. From the original jukebox (movie) musical, here is Fred Astaire tapping out his tribute to tomorrow’s holiday:
This is one of my favorite Astaire solos. A little movie magic tricks the eye and the ear, but the moves are all his. I love how happy he looks when done. He’s probably imagining how the finished scene will look, and it is a stand-out in a film full of production numbers.
Have a happy and safe Fourth of July!
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