Clara Bow Calligraphic New Year

Happy New Year’s wishes go to readers of Spellbound! I suspect quite a few of you brought in the New Year by celebrating with cinematic treats. I did. Hubby and I brought in the New Year watching a pair of Deanna Durbin movies at the Stanford Theatre. We started with the 7:30 PM screening, which meant we got a Wurlitzer concert before and after our first film performed by Jerry Nagano. He put together a playlist full of romantic tunes, including What Are You Doing New Year’s Eve? The whole audience could have answered, “Watching movies!”

That’s something the spellbound will have great opportunities for in the coming year. It promises to be a great one for revival and restoration screenings. Our calligraphic cutie Clara Bow kicks off the New Year with screenings that would tempt anyone to travel to catch her motion pictures. She’s featured in a series starting this week at the UCLA Film & Television Archive, Call Her Savage: Clara Bow Hits the Screen. The series runs January 4, 2013 through February 10, 2013 in the Billy Wilder Theater, and it’s co-sponsored by the Hugh M. Hefner Classic American Film Program.

Clara Bow & Antonio Moreno in It

With Antonio Moreno in It

“Clara Bow Hits the Screen” is a great secondary title. She remains a charismatic and entertaining actress for all who are lucky or smart enough to watch one of her films today. Her impact on the audiences of yesteryear can’t be underestimated either. In her prime, she was the number one box office star in Hollywood beloved by both men and women and drawing them out to her movies, even when the scripts were weak. Her persona managed to fuse the flapper and her modern mores to a non-threatening likability normally demonstrated by the girl next door type. Of course, there were probably many who wished she was the girl next door–even today!

In Call Her Savage

In Call Her Savage

The series launches this Friday with Call Her Savage (1932) and Hoop-La (1933). These racy Pre-Codes come from near the end of her career and taunt us with her talkie potential, and their outlandish plots have to be seen to be believed. An extra bonus: The biographer of her definitive biography, Clara Bow: Runnin’ Wild, David Stenn will be on hand to put her in context and discuss her life and career on January 4.

The Wild Party, a Collegiate Comedy

The Wild Party, a Collegiate Comedy

The subsequent screenings feature: Parisian Love (1925) and Capital Punishment (1925) on January 5, It (1927) and Children of Divorce (1927) on January 11, Wings (1927) on January 19, The Wild Party (1929) and a clip show of film fragments on February 8, and Kick-In (1931) and Her Wedding Night (1930) on February 10.

Clara Bow & Ralph Forbes in Her Wedding Night, still from the Clara Bow Archive

With Ralph Forbes in Her Wedding Night, still from the Clara Bow Archive

Wings, It, and The Wild Party promise to be crowd-pleasers. The clip show should be of particular interest to Bow buffs and “includes trailers from lost feature films, newsreels, recently discovered Technicolor outtakes, and Bow singing ‘True to the Navy‘ in the 1930 all-star revue Paramount on Parade.” Kick-In offers historical curiosity since it was her first film after the infamous Daisy DeVoe trial, which was damaging to Bow’s reputation at the time. It’s a testament to Bow that more people today ask Daisy Who?


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