Film Fanatic Gear–Wanda Woodward Pin & Carmen Miranda Tee!

Today I’m giving you a peek at two recent acquisitions. As we know, it’s very hard for film fanatics to resist collecting all sorts of memorabilia, and I’m no exception. I tend to amass movie books to build my own reference library, but my latest pieces are both items I can wear. I bought them from Californian repro vintage company Pinup Girl Clothing.

Do you recognize the woman portrayed by the pin? She’s Wanda Woodward, the desperate to be bad suburban girl from a loving and supportive home in John WatersCry-Baby (1990). Waters has written of how he admired the tough girls at school, and Wanda is a fifties embodiment of them–big hair, bright red lips, winged eyeliner, tight clothes, and fierce attitude. Twenty-six years from the movie’s release, she’s having a pop culture resurgence. There are t-shirt lines featuring at least her famous line, “Beat it, Creep!” One of the tops is even by her portrayer Traci Lords, so of course her visage is on those tees. I like this pin from bobbypinsco. It’s pretty and subtle. You’re either in the know about who the woman is or simply assume the wearer has vintage tastes.

I’ve written about Luso-Brazilian entertainer Carmen Miranda before, and now I get to sport a shirt showing my fondness for her and my love of retro design. This tee is by Miss Ladybug California. I suspect they use found graphics. Doesn’t Carmen look like she was drawn in the late thirties to early forties? The fabric is a slightly yellowish off-white, and like a lot of pinup lines the top runs small. It has a straight up and down slim cut. Anyone interested in getting her own, I’d advise the shirt has some stretch, but not a lot, and the fabric is thin. Buy by your chest size, and size up if you’re in between sizes. I’m going to be hand-washing and line drying my shirt to make it last!


Disclosure: I bought these items, and I am not receiving affiliate program compensation for my post.

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Dress Up Friday: Carmen Miranda

For this installment of Dress Up Friday, here’s an image of Carmen Miranda that’s pure 1930s glamour. The performer was born in Portugal, but immigrated to Brazil as a child, and she considered herself Brazilian at heart despite maintaining her Portuguese citizenship. The woman, who would become famous for her Bahian costume featuring headwear adorned with fruit, was a successful milliner before her singing career took off.

The photograph is by Annemarie Heinrich, a European emigré to Argentina. Her family fled WWI Germany for safety in South America. Heinrich is best known for her portraits, often featuring stars of Argentinian cinema, and her nudes.

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Guest Appearance on First Time Watchers

Harold Lloyd Hanging from the Clock in Safety Last

I’d been keeping a secret for a little while, in case it fell through, but it happened! I made a guest appearance on First Time Watchers this week. It’s a movie podcast hosted by Tim Costa, Hermano DaSilva, and Walter Vinci. I want to disclose the last host is one of my cousins! Movie madness runs in my family.

The guys discuss films classic and new, and they have their own unique format. They decided to expand their coverage to include a three-part series on silent film. Dan from Geek Cast Radio started it off by reviewing The Phantom Carriage, and Fritzi Kramer from Movies, Silently talked about The Cabinet of Dr. Caligari.

concluded the series with Harold Lloyd‘s Safety Last (1923). In addition, I got to speak about how I got into movies and silents in particular, my recent trip to the TCM Classic Film Festival, some of the other film festivals I’ve been lucky enough to attend (like The San Francisco Silent Film Festival and Rome, New York’s Capitolfest), and a trailer that’s got me very excited to see its movie.

I’ve not been on the air in any form in a while, excluding my holiday wishes cameo on Attaboy Clarence‘s 2015 Christmas special, but I had a lot of fun. If you listen, let me know what you think of the show in the comments below!

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Celebrating National Classic Movie Day with the 5 Movies on an Island Blogathon

Monday, May 16 is National Classic Movie Day. As part of its festivities, I’ve joined other classic film bloggers in promoting the holiday with the 5 Movies on an Island Blogathon. I’ve selected five classic movies that would entertain and sustain me on this miraculous deserted island having screening capabilities. I explain my choices below!

Les Vampires Irma Vep Poster in Le Cryptogramme Rouge

Les Vampires (1915-1916)

My first choice is Louis Feuillade‘s silent crime serial Les Vampires. I had been grabbed by its imagery when seeing stills in write-ups of Water Bearer Films‘ VHS release. It looked like Edward Gorey’s drawings come to life, but really the film was an influence on him as I previously wrote. When I finally saw it, the beginning episodes offered a lot of eye candy in costuming and sets, which feature multiple prints and textures. Artists, designers, and other creatives could be endlessly influenced by the movie. Then Musidora playing Irma Vep appeared in its third episode. I like to say she’s one of my two spirit actresses. She’s a modern, charismatic, and feminist presence. While her Irma is number two to the Grand Vampire, the head of her criminal organization, she survives a sequence of Grand Vampires to become the main, almost everlasting villain of the serial. She’s a contrast to the rather dull hero, reporter Philipe Guérande (Édouard Mathé). Les Vampires isn’t supernatural in the slightest. There’s nothing paranormal about the movie, but its action scenes offer plenty of the unusual like secret passageways, a poison ring, and a decapitated head. In its best moments, the film serves up memorable, surreal imagery. Whenever someone asks me if I like action movies, I have to say yes because of Les Vampires. It runs for about 7 hours, and I’ve watched it multiple times in multiple releases. It’s a movie that would continuously entertain me on an island.

Bell Book and Candle Gillian Holroyd Kim Novak and Pyewacket Spell Casting

Bell, Book and Candle (1958)

This movie has been a favorite of mine since my girlhood. When I first saw it, I wanted Gillian Holroyd’s (Kim Novak) pre-pastel life. She had a fabulous wardrobe, a devoted and talkative cat, and an unusual life far from the middle class suburbia I was growing up in. I was fascinated by superstition and the supernatural, too. It’s very easy to be influenced the innate gothicism of New England. I’ve worn a lot of black and velvet in my life; I’ve had cats since I was four or five, and they’ve been loving and talkative companions; and I’ve lived in multiple places sometimes participating in and other times promoting the arts that fascinate me. Not a bad early influence then! As an adult, I can’t ignore the unintended warning message for women in the movie. There’s nothing wrong with being a less self-absorbed, selfish person, but a woman needs to know the difference between being matured by love and losing her sight of her core self. Also, Jimmy Stewart‘s love interest portrayal too often slips into doddering instead of simply square making Kim Novak have to simmer overtime to distract from that fact. I would have loved for Cary Grant to have landed the male lead role like he wanted. Moving beyond my casting quibble, Bell, Book and Candle has become a Christmas movie for me. I’m sure the association started because the film’s action starts on Christmas Eve. Gillian’s celebrating the holiday with her odd, sometimes infuriating, but in the end loving family. That actually sounds like a normal holiday for a lot of us! I watch the film at least annually, and with it on for background sound, I’ve trimmed my tree. I’d take this movie to the island to remind me of the girl I was and to help me celebrate Christmas.

Ginger Rogers We're in the Money Gold Diggers of 1933 Number

Gold Diggers of 1933 (1933)

I knew one of my desert island movies had to be a Busby Berkeley! I looked through all my discs, and I picked Gold Diggers of 1933. Mervyn LeRoy is credited with directing the film, and Busby directed, staged, and choreographed its musical numbers. As an overall movie, from plot to musical scenes to performances, it’s one of the strongest in his filmography, and it’s one hell of a fun pre-code. It features some of my favorite performers like Warren WilliamJoan Blondell, Ginger Rogers, and Guy Kibbee. It has saucy and snappy dialogue as expected in a backstage movie focusing on four struggling showgirls in the 1930s. Take this line Aline MacMahon‘s character Trixie says,  “Excuse me while I fix up the old sex appeal. The way I feel this morning I’ll need a steam shovel.” It’s funny, yet acknowledges what work it is to be a woman and have to be appealing to men. The movie straddles the same line. It’s entertaining and offers amazing musical sequences like The Shadow Waltz with its neon-tubed violins, and at the same time the reality of the Depression is allowed moments of expression, like the literal show-stopping number starring Blondell, Remember My Forgotten Man. Gold Diggers of 1933 entertains, provides momentary distraction, and then addresses its contemporary audience’s troubles. It’s a paean to the scrappy American spirit. Despite our troubles, we can take the time to be flippant and clever and sing a song’s verse in Pig Latin. A great movie to help me endure my island time!

My Man Godfrey Carole Lombard William Powell Dishwashing Scene

My Man Godfrey (1936)

My other spirit actress is Carole Lombard, and she helped tip My Man Godfrey making my list over The Thin Man. When I used to have a LiveJournal, its slogan was “When things get tough, she envisions herself as Carole Lombard.” That’s because no matter what pratfall she took or what tricky moment she found herself in, her modernism, verve for life, and zaniness showed her character would overcome her troubles, at least in the comedies. Take a look at My Man Godfrey. She and her co-star William Powell had once been married, but their marriage didn’t work out, yet they remained adult about things and stayed friends. So much so that he insisted Carole be cast instead of Constance Bennett in this film. Their comfortability with each other lets them tap into their natural chemistry for their parts. She’s ditzy, good-hearted, nouveau riche heiress Irene Bullock, and he’s a blue blood living like a tramp while recovering from a broken heart. Of course, these two fall in love, while her nutty family (complete with parasitic gigolo) and her off-kilter approach to romance complicate matters. I can guarantee this screwball comedy will make me laugh, so into the deserted island kit it goes!
Regain Harvest Marcel Pagnol 1937 The Couple Surrounded by the Land

Regain / Harvest (1937)

There are so many romances depicted in Regain–the love of a place, the love of honest labor, the love of family, the love of friendship, and the love of a husband and wife. It’s the last of those loves that provides the catalyst for a dying village to be reborn. Gabriel Gabrio plays Panturle, whose village has only three inhabitants left, and not for long because the others are aged. All the younger people have left for the city seeking work divorced from their agricultural roots. Panturle needs to find a wife. He knows his home can be renewed by having a new founding family, and he is lonely. One night Orane Demazis‘ Arsule camps on his grounds with Fernandel‘s Urbain Gédémus. Arsule is the sort of woman who has given up hope, and she lets men use her in order to physically survive. Urbain, while better than some of the men she meets in the film, isn’t really much better. This is the rare film where comedian Fernandel plays an unlikable creep. Arsule wanders off from a sleeping Urbain and meets Panturle. The raggedy man cannot believe his good fortune at meeting this beautiful angel and begins to woo her. He sees her as everything he has ever wanted in life, and together they will become the best people they could be. The past doesn’t matter. What matters is who they are and what they do now. Regain is a film in which love and goodness transform and triumph. It’s a film that would sustain me spiritually if stranded on an island.

Five Movies on an Island Blogathon

To read more blogathon entries, click on its banner. Be surprised and entertained by other bloggers’ choices. Perhaps you’ll even find flicks to add to your to watch list!

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#52FilmsByWomen Quick Review: The Notorious Bettie Page (2005)

Gretechn Mol and tigers The Notorious Bettie Page still

Last night I watched The Notorious Bettie Page (2005) because it was her birthday. Gretchen Mol does a great job in embodying Bettie, which took guts. Mol had to know what scrutiny she’d be under to look like the famous model, replicate her ease and joy in posing, and radiate a personality that made much of her more extreme work seem like softer, campy fun, but still sexy. Mary Harron makes sure there’s a humor to the film, and she showcases many of her actresses’ work over the supporting male actors’. The soundtrack and visuals are of the era. The living magazine covers are a nice touch. For feminists the movie will have an empowering, sex positive appeal. Bettie is shown having agency to pose or to retire into her Christian faith without regretting her life or actions and without her beliefs being knocked. Her journey is respected. The movie ends early in her life with no hint of her later mental health struggles. A positive portrayal of a woman, whose later years I wish were as happy as many scenes in this film.

More about #52FilmsByWomen here.

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Spellbound by Movie’s #TCMFF Bésame Cosmetics Giveaway Contest!

When I submitted my media credential application to cover the TCM Classic Film Festival (TCMFF), I told them one of my coverage interests was how fans present themselves, how they dress or adorn themselves to show their love of classic movies and their eras and TCM. I’ve done a bit of that in advance by reporting on how its fans have a button obsession that led to a creative opportunity for an artist. I’m eager to see how many fans go beyond wearing buttons and tees by dressing and styling themselves after specific films, performers, or time periods. I’m going to look for glamour on the TCMFF red carpet and cinema sidewalks. I’m, also, going to contribute to it!

I spoke with one of my favorite vintage-era inspired brands, Bésame Cosmetics, and they have wonderfully agreed to be a sponsor of Spellbound by Movies’ first contest! They are giving me two dozen products to brighten the smiles and faces of lucky TCMFF attendees. Over the four days of the festival, I’ll be giving away six products a day. Before I get into the details of how to win the products, I want to tell you a little more about Bésame.

Gabriela Hernandez

It was founded by Gabriela Hernandez. As a girl, she was “fascinated by her grandmother’s sophisticated beauty routine.” Her passion for the arts and her entrepreneurial drive found inspiration in the memories of her grandmother’s make-up and beauty rituals. Gabriela created Bésame Cosmetics. Every element of the line from product colors to packaging was developed to bring back the romance of earlier eras to make today’s woman feel confident and glamorous. Products are carefully formulated for historical accuracy in color, modern performance, and safety standards that surpass Europe’s. The lipstick range reproduces colors from the 1920s through the 1960s. All items are designed and made in the United States. Bésame started as a handmade, boutique brand, best known among vintage enthusiasts. Its name has spread, and its popularity has increased. Its products now can be found in film and television productions, either worn by performers or dressing sets, and in Sephora.

Now that the backstory has been shared, here are the products to be won!

Besame Red Velvet Lipstick

Red Velvet

Red Velvet draws upon 1946 for its color inspiration. It’s a deeper, semi-matte shade appropriate for everyday wear. The lipstick surged in sales when Hayley Atwell revealed she wore it onscreen when portraying Agent Peggy Carter. It normally retails for $22. The ingredient list and further details can be found here. I have a dozen to give away.

Besame Vanilla Brightening Powder

Vanilla Brightening Powder

Brightening powder does what it says. It brightens the look of its wearer’s skin. Like the name implies, the powder is vanilla-scented. It has a yellow tint to reduce redness, and it works best on light to medium complexions. It normally retails for $22. The ingredient list and further details can be found here. I have a half-dozen to give away.

Besame French Vanilla Brightening Powder

French Vanilla Brightening Powder

The main difference between Vanilla Brightening powder and the French Vanilla version is shade. Both product are yellow-tinted to reduce redness, but French Vanilla works best on medium to dark skin. It normally retails for $22. The ingredient list and further details can be found here. I have a half-dozen to give away.

How Can You Win These Products?

  1. I’m going to give these items away, 6 per day, at TCMFF, so you must be an attendee.
  2. When I’m going to give away a product, I will tweet about it from my account. Either follow my account (@missbethg) or search for the hashtag #TCMFFGlamour.
  3. I may ask a trivia question or ask you to answer a question or simply tell you where you can find me.
  4. Only one prize per person. I want to make two dozen people happy.
  5. If you are a winner, please agree to let me share on social media and this blog that you are a winner. If possible, I would like to share a photo of you holding or wearing the product you win. Bésame has been generous in giving this product for free in exchange for spreading its brand name.
  6. If you are a winner, I’m going to ask you to share on your own social media that you won. Please @ tag Bésame on Twitter and/or on Instagram, mention my blog by name, and use the hashtag #TCMFFGlamour as part of your tweet or post.

For those not attending TCMFF, I hope to do another giveaway in the future that you will be eligible to enter. Thanks for your patience on this!

Good luck to those attending the fest! I’ll see you there or in the Twitterverse!

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LAMB #1785

Lamb Banner Wide

Spellbound by Movies is now LAMB #1785! Back in January of 2013, I applied for my blog to join the LAMB (Large Association of Movie Blogs). It’s a directory of movie blogs and a community for their bloggers. It’s the largest movie blogging group in existence with over 1,000 active members. When I didn’t receive any response months after applying, I wasn’t sure if my blog had been rejected or even reviewed. Yesterday I received an email letting me know the association had some administrative issues, but those issues had been resolved, and that I’m a new member.

As part of my membership application, I had to answer questions about my blog and myself. Since so much time passed between my application and my approval, reading my responses is a flashback to when I was getting more ambitious about movie blogging. My goal was to write more often (That’s still a goal!), and I had begun reaching out more to other film fanatics in the blogosphere and on Twitter. When a new member joins the LAMB, the association posts their application to their blog directory. You can read mine here. Among things, learn what maturity rating I gave my blog, three of my favorite movies, and in a rare moment of prompted negativity a movie I hate!

Besides using the group’s site as a blog directory, it has other features that could interest you. The LAMBScores are community reviews of recently released movies. The Movie of the Month features a LAMB member selected film being celebrated. The Director’s Chair promotes reviews, features, or anything else focusing on a particular director or their work each month. There’s a spin-off podcast called the LAMBcast. If you feel extra chatty, you can join the LAMB Forums.

My membership in the CMBA (Classic Movie Blog Association) won’t change. I very much enjoy being a member of that community and aim to participate in it more. If I wasn’t so busy this month, I’d be have a post up for the group’s current blogathon Words, Words, Words!, which looks like a lot of fun. You should check it out!

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